Showing posts with label enredo. Show all posts
Showing posts with label enredo. Show all posts

Monday, 1 October 2012

A Brazilian Dream... in London

London life indeed did suck me in (hope you enjoyed the silence). But if you think I’ve given up on my Brazilian Dream, think again. I am living it, every day, here under the grey sky, where the weather is cold and the beer is warm.

My BF finally came to the UK, 3 months after my return (!), and he is here is to stay. In the UK I mean, and hopefully by my side. And no, we didn’t have to marry.  He would have it stamped on his forehead that he is now Portuguese as well, if he could. That’s why it took so bloody long! So, I now speak Portuguese more than my mother tongue* (I even dream in Portuguese, for those of you who’ve asked me about it) or even English, and my exploration of Brazilian music has gained new heights. We rehearse regularly (did I ever say he’s a flippin’ good guitarist?), that is, if we manage to find time in our crazy, mutually exclusive timetables.

I continue to sing with Paraíso Samba School, doing gigs at least once a month**; not that it’s terribly creative – those enredos really are repetitive, mas uma coisa é*** – it’s good fun! I may come home nearly deaf, having stood next to the bateria during the show, hardly being able to hear my own thoughts, let alone my voice, but there seems to be a direct link between the intensity of rhythmic drumming and the level of endorphins in my brain. That’s why I do it. Oh, and also so that I can say I belong... Hey, you will surely agree that passing all these delirious crowds at the Notting Hill Carnival, waving at them while trying not to drop the mic, and basically giving it all, is not something you do every day. OK, I do it every year (this was my 3rd time) and I am still not bored.
Photo by bellaphon

Can it get more Brazilian than parading in the carnival? Yes it can. Taking part in the Olympics closing ceremony beats it. Damn hard. And frankly, that deserves a separate post. Promise! A little teaser beneath, but what I want to say is – you will now be hearing news from Brazilian London. One thing though; I will be absolutely subjective, partial, biased and frank. If something deserves my praise, it will get it, if it’s below any standards, I won’t think twice about tearing it to pieces. You’ve been warned.
*Polish
**usually at Guanabara, the next one is this Saturday! http://www.paraisosamba.co.uk/events/
***one of my BF’s favourite phrases, which simply means “one thing for sure”

Monday, 20 February 2012

Vou festejar! (Carnival Special 3)


I feel exceptionally inspired these days. And it’s all because of the carnival. By now you may be under the impression that I am mocking the whole thing, but this couldn’t be further from the truth. I’m loving it! Undoubtedly, I would love it even more if I had a chance to actually watch it live, AT the sambadrome, but not this time. To stay in Rio during these two days would absolutely ruin my budget, so I have to make do with transmissions by Globo. And if you think that my bitterness has something to do with that fact, who knows, you may be onto something.

I have recently mentioned that the samba enredos tend to be repetitive. Obviously, the genre has got its requirements and the public has got their expectations, so certain rules have to be followed. The melody line usually sounds a bit complicated at first, especially for European ears, but having listened to it a few times most people remember it rather effortlessly. The chorus or refrain is meant to be catchy as the idea is that all members of the parade and all fans of the school sing the song together. I suppose these days the problem is that all enredos sound very much alike, so it’s very probable that if you learn a few, you may end up mixing them up without noticing. Assuming that a particular one hasn’t already become your personal anthem; followers of samba schools often resemble football fans, fiercely defending their choices.

I’ve come across the diagram below which explains the formula of samba enredo. So, you begin by welcoming the audience (Alô, meu povo!), then go to the very beginnings (tempos primordios) of whatever it is you want to sing about, choose your main area (African roots, the Amazon, the Sertão or Northeastern Brazil), cram your lines with characteristic words (names of African gods and goddesses, warriors or anything related to Indians and their beliefs, famous revolution leaders or national heroes*, etc.) and then warm up the crowd, throw in a bit of magic or praise a (preferably dead) celebrity. This must almost invariably be followed by a common ôôôô or very Brazilian laia laia and we’re done! Now, since it’s an enredo, it means that the song is looped, so you sing it over and over again (until the end of the parade anyway). Easy-peasy. Ready to write your own?

 And these are the most popular words in the samba enredos of carnival day 1 in Rio:



For non-Portuguese speakers, I’ll translate: amor – love, mar – sea, bahia – Bahia (the state), emoção – emotion, sonho – dream, tambor – a big drum, vem – come, vim – I came, chegando – coming, faz – you do / (s)he does, fiz – I did, ancestrais – ancestors, magia – magic, liberdade -  freedom. For me the key word here is festejar – celebrate. Go on, celebrate the carnival before it’s over!

*** Some links to read more for the interested: